Treasures Are Hopes Made Solid to Catch the Light and Also the Dust
For several years, Montreal artists Chloë Lum and Yannick Desranleau have worked collaboratively with dancers and musicians. In the performances and videos they create together, objects play an important role as either allies or antagonists; treated as both extensions of the body and hindrances to its movement.
The photos and videos presented in Treasures Are Hopes Made Solid to Catch the Light and Also the Dust attempt to translate in textual, gestural, and audible form bodily states that are associated with the experience of confinement. When the body refuses to cooperate, when its movements are limited, even painful, because of chronic illness, how else can we escape it? Perhaps by stirring our imagination through reading or by paying attention to objects and our surrounding reality.
For this first show at the Musée d’art de Joliette, Lum and Desranleau continue their literary explorations with a series of recent works conceived as meditations inspired by the writings of Sylvia Plath and Clarice Lispector; the performers’ gestures and sung narratives reference Plath’s highly sonorous writing and Lispector’s rich descriptions.
Camera: Philip Rose
Costume Assistant: Catherine Joyal
Set Assistant: Pierre Richardson
Images in the banner:
© Chloë Lum & Yannick Desranleau, production still, from the series Stills From a Non-Existant Performance, 2019. Performer: Winnie Ho
Chloë Lum & Yannick Desranleau, view of the exhibition Treasures Are Hopes Made Solid to Catch the Light and Also the Dust, Musée d’art de Joliette, 2019. Photo credit: Romain Guilbault.
Chloë Lum and Yannick Desranleau are multidisciplinary visual artists based in Montreal, Canada. Their work focuses on theatricality and the choreographic; in their performance work but also in their interest in staging tableaus and working with ephemeral materials that can be said to perform through re-deployment and decay. The duo’s recent works investigate the agency of objects, the material condition of the body, and the transformative potential that bodies and objects exert upon each other. These interests are informed by Chloë’s experience with chronic illness and its effect on their collaboration as well the duo’s exploration of narrative tropes from literature, theatre and television.
They have exhibited widely, notably at the Center for Books and Paper Arts, Columbia College, Chicago; the Musée d’art contemporain de Montréal; the Kunsthalle Wien; BALTIC Centre for Contemporary Art; Whitechapel Project Space, London; the University of Texas, Austin; the Confederation Centre Art Gallery, Charlottetown; the Blackwood Gallery, University of Toronto; and the Darling Foundry, Montreal. Lum and Desranleau are also known on the international music scene as co-founders of the avant-rock group AIDS Wolf, for whom they also produced award-winning concert posters under the name Séripop. Their work is in the collection of the Victoria and Albert Museum, the Montreal Museum of Fine Art, and the Musée d’art contemporain de Montréal.
In 2016, Desranleau was awarded the Claudine and Stephen Bronfman Fellowship in Contemporary Art, and in 2015, the duo was long-listed for the Sobey Art Award.
For more information: www.lum-desranleau.com/